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![]() "įor the second and all subsequent sections, you may optionally use the shortened form of this intro disclaimer: "Di Gong An (Celebrated Cases of Judge Dee), by anonymous. For more information, or to volunteer, please visit: librivox DOT org" ![]() All LibriVox recordings are in the public domain.
![]() ![]() The song is picturised on Fernandez, Ranbir Kapoor and Arjun Rampal. The song is all about living the present moment with someone special. The song marks the first time Sharma sings for the lead actress of the film, Jacqueline Fernandez. At the studio Mallik briefed her to do improvisations as per her wish "After my solo parts were done, we worked on ideas for suitable harmonies for Arijit's lines, for the chorus as well". According to Sharma, she fell in love with the track instantly, and kept listening to it over and over again. Mallik called Sharma and informed her of the song, and mentioned that he would email it to her before recording it at the studio "Knowing that Amaal is an absolute king at EDM, I remember opening the email with immense excitement as he had mentioned it's a dance track it's a duet with Arijit Singh". He told me that he wished to maintain his style and will add my attitude to the song". Regarding the vocals by Singh, Mallik stated: "Arjit was one name that came to my mind and he too was extremely happy when he heard the song. For the male vocals of the song, Mallik wanted a voice that does not sing many peppy numbers. The song is sung by Arijit Singh and Aditi Singh Sharma. ![]() According to him the song is something every person in this world can relate to and it is "a party song with a simple melody, Electronic Dance Music beats and non-crass lyrics". With the first verse of the song written by Kumaar, which was "cracked" in fifteen minutes, Mallik realised that they "hit upon something really special". Singh wanted the track to be about being young and carefree, similar to those which can be played in clubs too. The director of the film Vikramjit Singh gave Mallik an insight into Ranbir Kapoor's character, a carefree person who believes one should forget everything and live freely. After composition he wasn't aware that the song was composed for the film Roy until Bhushan showed him the poster of the film for which he has composed the song. Bhushan Kumar, associated in producing the film, heard the version along with other tracks he had composed and wanted to hear the final version of the song, for which Kumaar wrote the lyrics. Mallik finalised a rough version of "Sooraj Dooba Hai" with a few lines written, which was originally composed by him three years ago and was rejected by many of the film producers. Initially, Bhushan Kumar told Malllik, that he was looking for a youthful party song for the film, and offered the chance to five other music composers, in-order to select the best track. The song is composed by Amaal Mallik who made his debut in Bollywood as a music director with the 2014 released film Jai Ho. ![]() Commercially, the song fared well, topping the iTunes chart of Indian and Cambodian, along with 91.9 Friends FM weekly chart. The single of the song was digitally released on 22 December 2014. The music video of the song was officially released on 19 December 2014 and was exclusively released on. The video track shows Fernandez romancing both Kapoor and Rampal. Producer of the film, Bhushan Kumar heard the rough version of the song composed and written by Mallik and wanted to hear the final version of the song, for which Kumaar wrote the lyrics. The music video of the peppy, dance track features actors Jacqueline Fernandez, Ranbir Kapoor and Arjun Rampal. Composed by Amaal Mallik, the song is sung by Arijit Singh and Aditi Singh Sharma, with lyrics penned by Kumaar. The sun has set) is a Hindi song from the 2015 Bollywood film, Roy. Check our FAQs for more info on the MoE’s resolution for all schools in the UAE: pic.twitter." Sooraj Dooba Hai" ( transl. Your kids may be affected by the change in age requirements if they’re starting school next year. It has also advised parents to check the FAQs section on its website for the latest updates. The changes will affect new students joining FS1, FS2, Year 1 and Year 2 (or Pre-KG, KG1, KG2 and Grade 1) in all schools in the UAE.Īccording to the KHDA, the ministry's decision is aimed at bringing more consistency to the cut-off dates used by schools in the UAE with those used by schools abroad. ![]() The new rules are in line with a resolution issued by the Ministry of Education earlier this year, and will impact children up to six years old who are enrolling in school for the first time. Dubai's Knowledge and Human Development Authority (KHDA) has called on parents to take note of the changes in age requirements for children planning to join school, the next academic year (2021-2022). ![]() ![]() ![]() The band toured Japan and recorded a second album, "Light as a Feather", in London, using some of the songs COREA had written and recorded with GETZ, such as "500 Miles High" and "Spain." It was released on Polydor Records. COREA, Clarke, and Moreira, all of whom had been playing with GETZ, left his band to concentrate on RETURN TO FOREVER. In February 1972, they recorded their first self-titled album, though it was not released on ECM in Europe until the following year and did not appear in the U.S. The band made its debut at the Village Vanguard nightclub in New York City in November 1971. "Return to Forever" was the name of the first tune COREA wrote for the outfit, and he then adapted it as the group's name. In addition to COREA on keyboards, the initial lineup featured Stanley CLARKE on bass, Joe Farrell on reeds, and the Brazilian husband-and-wife team of percussionist Airto Moreira and singer Flora Purim. COREA formed RETURN TO FOREVER in the fall of 1971 while he was working in STAN GETZ's band, and the two groups shared some members. A later re-orientation of the band gave it more of a big band style before COREA folded the unit, retaining the RETURN TO FOREVER name for occasional other projects. RETURN TO FOREVER started out as more of a Latin-tinged jazz ensemble, but COREA, influenced by the MAHAVISHNU ORCHESTRA of John McLaughlin and some of the progressive rock bands coming out of Great Britain, notably YES and EMERSON, LAKE & PALMER, moved the group more toward rock, achieving considerable commercial success. At the time, this was seen as a means of creativity, a new direction for jazz, and as a way of attracting the kinds of large audiences enjoyed by rock musicians. Like WEATHER REPORT and the MAHAVISHNU ORCHESTRA, it was a group formed by an alumnus of Miles Davis' late-'60s bands with the intention of furthering the jazz-rock hybrid Davis had explored on albums like Bitches Brew. RETURN TO FOREVER was jazz keyboard player Chick COREA's jazz-rock fusion band of the 1970s. ![]() Founded in NYC, USA in 1972 - Disbanded in 1978 - Reformed briefly in 1983 & 2008 - Active Live since 2012 ![]() ![]() ![]()
If you’re accustomed to using Word to create not only basic word processing documents, but also the brochures, menus, meeting minutes, calendars, proposals, and posters you use to do business, Word 2011 offers a large collection of professionally designed templates, as well as many more that are created by and shared with other Office users. #I want to add a style to my document in word for mac 2011 free#The World Wide Web edit: Using Microsoft’s free SkyDrive you can save documents to the cloud and edit them by using the Word Web App. I could view documents on an iPad, but I could not use the Word Web App to edit them, at least not at this point in time. So by using any supported Web browser (Safari, Firefox, and Internet Explorer), you can access and edit your documents via the Web. This includes setting expiration dates for documents and controlling whether the contents of a document can be printed, edited, or copied.Īdditionally, if you save your documents to Microsoft’s SkyDrive, or if your business is using SharePoint Foundation for 2010 Enterprise, you have access to the Word Web App. #I want to add a style to my document in word for mac 2011 license#This security feature requires that you use Microsoft’s Information Rights Management (IRM) tools, which also means that you’ll need a volume license edition of Office 2011 and a Microsoft Rights Management server, but the upside is that you’ll have much finer control over what other users can do with the documents you create. Word 2011 includes support for Microsoft SharePoint, SkyDrive, simultaneous document editing, the option to communicate with others while you edit documents together, and improves the control you have over the kinds of rights users have to review and edit documents. Word 2011 has significantly improved collaboration tools, making it obvious that Microsoft now considers Word for Mac, and thereby the Mac itself, to be an enterprise-level work tool. #I want to add a style to my document in word for mac 2011 windows#King of the Word: Word’s new UI unifies the interface between Mac and Windows versions and offers Spotlight-like find and replace tools. And because you’re able to hide the Ribbon, you can get it out of the way when all you want to work with are words. While initially the Ribbon may seem daunting to master, in practice I found that I wasn’t wasting time looking for the tools I needed to get my work done. If you’d rather not use the Ribbon, you can hide it. Inserting an image into a document? The Ribbon contains everything you need to resize, color correct, wrap text around, or otherwise format that image. Adding a table or a chart? You’ll find a complete set of tools for editing and formatting the same. ![]() Working on a word processing document? The Ribbon displays a set of text formatting tools. Word 2011 has the Ribbon, an intelligent, customizable toolbar that provides you with a set of formatting tools suited to your current task. Word 2008 ( ) used the combination of a nearly useless Elements Gallery that appeared at the top of every document and a floating Toolbox to provide you with formatting tools for your document. Word 2011 has the same look and feel as Word for Windows, but is in many ways more refined and better organized than its Windows sibling. More importantly, Word 2011 now makes it possible to insert a Mac into nearly any business environment and offer Mac users the same set of features found in Word for Windows, without compromise. It is in fact a powerful tool for creating all your personal and business documents and for collaborating with others. The bottom line is this: Microsoft Word for Mac no longer feels like a second-string word processing program in the Microsoft Office suite. #I want to add a style to my document in word for mac 2011 update#It is an update that unifies a user’s experience across platforms, and it’s also a release that contains many valuable new features and improvements-more than 30 in all. The Intel-only Word 2011 is a significant and substantive update to Microsoft’s flagship Mac word processing and page-layout application. They were essentially two completely different products designed for what, in Microsoft’s mind, were two completely different sets of users. For as long as I’ve been reviewing Microsoft Word, it has been difficult to see any kind of relationship between Word for Mac and Word for Windows, beyond the name and file format. ![]() ![]() Finally, Wii U Virtual Console gets yet another Game Boy Advance game in its library with puzzle game DK: King of Swing, wherein you swing Donkey Kong around from an overhead view. Pokmon Omega Ruby and Alpha Sapphire video. Is omega ruby and alpha sapphire worth it. #Pokemon omega ruby download for android for android#First is the long-awaited, rumored-to-be-cancelled Watch Dogs from Ubisoft. As this download android pokmon black game, it ends in the works monster one of the favored book download. Pokémon omega ruby and alpha sapphire download for android Author: Cixako Sebudu Subject: Pokémon omega ruby and alpha sapphire download for android. Poke-shenanigans are the top options on 3DS, but Wii U does have those aforementioned Smash Bros. 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![]() They play out their shtick against the backdrop of their seagoing reclamation project. Other than the brief appearance of Billy Gilbert at the beginning, the boys have this one all to themselves. (As a true antithesis to this Hal Roach/Leo Mc Carey style, see some of comedian Larry Semon's silent screen work.)_ĪNOTHER SINGULARLY UNIQUE feature of this short subject is that it is all Stan & Ollie. Whereas most all other comedians opted for an array of fast paced comic situations, being rapidly dispatched at sometimes break-neck pace, L & H worked each slowly and deliberately doing their own reactions to whatever. The slow and deliberate method of working a gag to its maximum was very handily put to good use in these shorts. THE SELF SUFFICIENCY of the L & H team is presented here in the best example possible. In summary, another disappointment from this iconic duo's decline.Reviewed by redryan64 10 / 10 Another Good Idea gone to Fine Mess ![]() The direction never rises above the uninspired at best. ![]() Like most of the humour, it feels both over-played and fatigued which is not a good combination. The odd mildly amusing line aside, the script is a major failing too, there is too much emphasis on it and not enough of the physical comedy which means that the boys' strengths don't shine enough. Most of the story, despite a good start, is all over the map however, the pace fails to come to life too much, it is very contrived and it goes far too over-the-top on the silliness that it becomes intelligence insultingly dumb. ![]() There are no standouts in the rest of the cast, most having very little to nothing to do. Their personalities, what made them famous and what was so appealing about them are not there enough either, they are rather bland and somewhat out of character. Like 'Great Guns', neither Laurel or Hardy are used well, they do feel shoe-horned in and for top-billing it was like they were playing second fiddle to Dante. Laurel and Hardy do their best and their chemistry does shine in places, some of the physical comedy is nimble. The best parts being the rope trick, the hitch-hiking and the duping of the inflato machine. Have found that most lesser Laurel and Hardy still have moments and 'A-Haunting We Will Go' does have those and it also actually starts off quite well. Dante is an interesting and amusing character and in a way steals the show, although for my tastes he is over-used. The photography is professional, the production design is spooky and there is none of the crudeness of the editing that was there in some of the late Hal Roach-period films. 'A-Haunting We Will Go' looks good, one of the best Laurel and Hardy efforts in this regard. On reflection it is marginally better than 'Great Guns', despite not being a good film, with it having a marginally better script (not saying much) and Laurel and Hardy are in a setting that they gel much better in. Like to love many of their previous films, the best of which being classic comedy, but their post-Hal Roach period saw quite a big decline and all their weaker films (the worst of which quite bad) were made during this period. It is not terrible overall, but it is bad Laurel and Hardy. Whether it's their worst though is debatable, with it being made in their decline period (which started with their previous film 'Great Guns') where most of the films from the period are equal contenders for that distinction. Do agree that 'A-Haunting We Will Go' is a lesser effort of theirs and a disservice to the duo. ![]() 'A-Haunting We Will Go' is often considered a lesser Laurel and Hardy film and some even say it's their worst. Also really love their partnership, which deservedly is remembered in iconic terms. They had memorable personalities/personas that really shone when the material given played to their strengths, it is very easy to understand their appeal and why they are considered comic geniuses and one of the greatest comedy duos. Will always have a lot of affection for Stan Laurel and Oliver Hardy. ![]() ![]() ![]()
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